1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.   Related Paintings of Sir Thomas Lawrence :. | Portrait of Miss Caroline Fry | Lady peel | Sarah Siddons | Self-portrait | Portrait of Antonio Canova |
Related Artists:
Auguste Rodin
French Sculptor, 1840-1917 .French sculptor. Insolvent and repeatedly rejected by the École des Beaux-Arts, he earned his living by doing decorative stonework. Not until his late 30s, after a trip to Italy, did he develop a personal style free of academic restraints and establish his reputation as a sculptor with The Age of Bronze (exhibited 1878), whose realism was so great that he was accused of forming its mold on a living person. His Gates of Hell, a bronze door commissioned in 1880 for a proposed Musee des Arts Decoratifs, remained unfinished at his death, but two of its many figures were the bases of his most famous images, The Thinker (1880) and The Kiss (1886). His portraits include monumental figures of Victor Hugo and Honore de Balzac. Though these and many other works caused controversy for their unconventionality, he was successful enough that he could establish a workshop where he executed only molds, leaving the casting of bronze and the carving of marble to assistants. To his sculpture he added book illustrations, etchings, and numerous drawings, mostly of female nudes.
John Giles Eccardt
John Giles Eccardt (1720 - 1779) was a German-born British portrait painter. He came to England in the company of the French painter Jean-Baptiste van Loo for whom he worked as an assistant. When Van Loo departed the country, Eccardt remained and set up a portrait-painting business. In the following years he did portraits of a number of leading members of British society including twenty six of his chief patron Horace Walpole. He died in 1779.
Arthur Melville
British Painter, 1858-1904, Scottish painter. He was trained in Edinburgh under James Campbell Noble (1846-1913) and at the Royal Scottish Academy Schools. His early works are peasant subjects in a subdued tonal style. While at the Acad?mie Julian in Paris and at Grez-sur-Loing (1878-81) he developed a colouristic watercolour style with strong chiaroscuro. This was consolidated during his journey in 1881 to Egypt and Constantinople, and on trips between 1890 and 1893 to Spain (with Frank Brangwyn) and North Africa. Contrasts of strong sunlight and coloured shadows were created in his 'blottesque' technique of colour droplets on paper saturated with Chinese white: sponge and brushwork were used to clarify form, as in Little Bullfight: 'Bravo Toro' (c. 1888-9; London, V&A). He was associated with the Glasgow Boys and influenced their development of colour and design. His closest contact with them came during outdoor sketching trips in Scotland between 1882 and 1889, and in Paris in 1886 and 1889. In 1886 he became an Associate of the Royal Scottish Academy and developed a strongly decorative oil style, seen in Audrey and her Goats (1884-9; London, Tate).